Showing posts with label Norah Jones. Show all posts
Showing posts with label Norah Jones. Show all posts

Friday, September 22, 2017

BoTB Results and More on Dixie Dog

Before I post the results from this battle, let me begin by saying Thank You. Thank you to everyone who stopped by and commented. Thank you if you voted. Thank you if you visited and got caught up. Thank you. I want to follow that up with this: if I haven't gotten around to your blog, I will. I'm a bit swamped at the moment, but I think that will get better this weekend. I think I voted on all of the BoTBs that were posted. If I missed yours, apologies!

I had some questions about Dixie. I am going to take just a minute and answer them here. She is a dachshund. I was asked if she liked other dogs. The answer is yes and no. She likes some dogs. However, she likes to be the boss. I think that has a lot to do with how well she gets along with the other dog in question. If that dog wants to be the alpha... let's get ready to rumble! So, as long as she can be the boss, she is great with other dogs:)

Okay, how did the vote shake out on Battle of the Bands? It was back and forth (a great battle since those blow-outs are no fun). Ultimately, you guys finished like this:

Saskia Griffiths-Moore: 4 votes
Norah Jones: 5 votes

Oh boy. This is a case where my vote actually matters. A vote for Saskia creates a tie. A vote for Norah creates a larger margin of victory.

Drum roll.

I really like Norah Jones on this song. Her voice is so sultry and to my ears embraces the sentiment in the Long Way Home. I just love it. That said, I think that Saskia did an amazing job on this song. I'd never heard her sing anything prior to this, and I was blown away.

So, congratulations Norah Jones on your win!

Thursday, January 15, 2015

Battle of the Bands ~ Cold, Cold Heart

It's that day again: the 15th of the month, and that can only mean ONE thing.

BATTLE OF THE BANDS!



I've spent so much time in the last seven days listening to Train that I suspect many of you thought it'd be a Train match-up here today. Can't say the thought didn't cross my mind, but no. (Hand to God: most of the time you lovely folks vote against the version of the song I like best, and I couldn't bear to see my beloved Train lose in one of these things.) So, we're doing something else.

The song is Cold, Cold Heart. Wikipedia actually has some interesting stuffs to say about this song. I'll let you decide how much is true. (I know what you're thinking... if it's on the Internet it MUST be true.) And still... the Internet was created by human beings. Ergo... Moving on to Wikipedia and Cold, Cold Heart.

Cold, Cold Heart" is a country music and popular music song, written by Hank Williams. This blues ballad is both a classic of honky tonk and an entry in the Great American Songbook.

Williams first recorded and released the song in 1951, originally as the B-side (MGM-10904B) to "Dear John" (MGM-10904A). "Dear John" peaked at #8 after only a brief four-week run on Billboard magazine's country music charts, but "Cold, Cold Heart" proved to be a favorite of disk jockeys and jukebox listeners, whose enthusiasm for the song catapulted it to #1 on the country music charts. The song achingly and artfully describes frustration that the singer's love and trust is unreciprocated due to a prior bad experience in the other's past.

That same year, it was recorded in a pop version by Tony Bennett[1] with a light orchestral arrangement from Percy Faith. This recording was released by Columbia Records as catalog number 39449. It first reached the Billboard magazine charts on July 20, 1951 and lasted 27 weeks on the chart, peaking at #1.[2]

The popularity of Bennett's version has been credited with helping to expose both Williams and country music to a wider national audience. Allmusic writer Bill Janovitz discusses this unlikely combination:
"That a young Italian singing waiter from Queens could find common ground with a country singer from Alabama's backwoods is testament both to Williams' skills as a writer and to Bennett's imagination and artist's ear."
Williams subsequently telephoned Bennett to say, "Tony, why did you ruin my song?" But that was a prank – in fact, Williams liked Bennett's version[1] and played it on jukeboxes whenever he could. In his autobiography The Good Life, Bennett described playing "Cold, Cold Heart" at the Grand Ole Opry later in the 1950s. He had brought his usual arrangement charts to give to the house musicians who would be backing him, but their instrumentation was different and they declined the charts. "You sing and we'll follow you," they said, and Bennett says they did so beautifully, once again recreating an unlikely artistic merger.

Me Again:
So, it started as a B-side on a country record, became more popular than the A-side, was then recorded as a pop song and charted again. Since then it's been covered by MANY people and we're going to listen to two of them today. No, I didn't choose Hank Williams or Tony Bennett for this battle (though I'm interested in your thoughts on their version if you're familiar and want to share).

One of the first people to cover this song was Louis Armstrong way back in 1951. Yep, the same year that Hank Williams recorded it. Honestly, that says something (to my way of thinking) for the universal appeal of this song.

Here is Louis Armstrong with his take on Cold, Cold Heart:



One of the things that I particularly like about this battle is that both contenders have distinctive voices (and their arrangements are very different... or different enough... whatevs). Up next is  a much more recent recording of this song by Norah Jones. Cold, Cold Heart is the third track on her 2002 album Come Away With Me. If you're unfamiliar, this debut album won five Grammys, though nothing for Cold, Cold Heart.

Here is Norah Jones with her take on Cold, Cold Heart:



For more Battle of the Bands fun, check out the other BOTB bloggers to vote on their battles:
If you are participating in Battle of the Bands, and you are not listed here, leave me a note in the comments. Thanks!

Now, is the critical moment. It is time to vote for your favorite version of this song. I even encourage you to leave me long comment explaining all the ins and outs of why you voted as you did!